Taiwan Folk Arts Museum

The Taiwan Folk Arts Museum was once the Koyama Hotel and Hot Spring. It also served as a Japanese officer’s club during the Second World War. Today the building and grounds have been restored to pristine condition and serve as beautiful examples of early twentieth century Japanese architecture.

The attractive two story structure hosts revolving folk art themed exhibits. We viewed a collection of embroidered baby carriers from southwest China. The mothers who made these carriers believed that the carriers took on aspects of her child’s spirit through long use. After the babies had outgrown them, mothers kept the carriers to remind themselves of the babies they’d raised. As treasured heirlooms, these carriers were rarely sold, but if sold, the ornamentation was generally removed prior to the sale. The fancy embroidery and trim was intact on the rare carriers displayed in this exhibit.

The Taiwan Folk Arts Museum is located at 32 Youya Road, in Taipei’s Beitou District. The 230 bus can take you there from either the Beitou or Xinbetou MRT stations. Their phone number is 2891-2318.

Other attractions within walking distance include: the eerie view at Hell (or Thermal) Valley, the historic Beitou Hot Springs Museum, and public bathing at Millennium Hot Spring.

An excellent sampling of Richard Purtill’s fiction

Parallel Worlds of Richard Purtill
Richard Purtill
Fiction 404 pages
AuthorHouse. 2011

This collection contains a full-length novel, “The Parallel Man” and ten additional stories, including some never before published. Some of the stories are science fiction, some fantasy, some combine elements of both. Regardless of genre, they are all delightful. For example:

What would it be like to be so empathetic that it causes emotional distress, or to see the world through the eyes of others instead of one’s own? Richard Purtill addresses extreme empathy in “The Chrysenomian Way”, and the second theme in “Other’s Eyes”. The situations in both stories, like those of most Purtill stories in this collection, have unexpected, yet satisfying, solutions.

When live actors perform in the space faring Universal Commonwealth, their psionic technique creates rapport with their audience. In “Blackout” an actor learns that gods can also use psionic rapport. Will he be able to face down a god and stop its killing spree?

Can a vampire live a comfortable life on a Greek island among malicious and superstitious neighbors? Is the arrival of a beautiful stranger his key to escaping an eternity of lonely despair?

The final four stories in the volume are adapted from Russian folk tales. Although each of the four stands on its own, together they form a suite of related stories. Several feature a knight named Karl, a war veteran now weary of killing, who seeks nothing more than a worthy cause to serve. Karl’s heroic humility will charm those who read his adventures.

Denver to Chicago by Plane and by Train

Initially I planned to fly both to and from Chicago. But, then something went wrong. Both tickets, spaced four days apart, were for flights from Denver to Chicago. Some days after booking the flights, but well before the flight dates, I realized my mistake: you just can’t fly to a city if you’re already there. I attempted to get a refund for the second ticket, but they said it was already too late. Even changing the flight date would cost more than the ticket had. Economy fares are great when they save money, but when their providers are unwilling to refund or exchange their tickets, they are no bargain at all. So, I lost $68.00 and Spirit Airlines lost both my custom and good will.

On the plus side, I was now free to rethink my return trip. I decided to take a train back instead, and I’m glad I did. Trains don’t go as fast as planes, but they’ll show you far more scenery. And, the clacketty-clack sound of steel wheels rolling on iron rails are soothing to the soul. The train rolled past fields of yellow grain and over the wide Mississippi River before entering that long tunnel called night.

Sleeping in coach is not as comfortable as is doing so in the sleeping car, but it is reasonably tolerable. Besides, I did not ride a train to be pampered. I rode a train to take a journey. In the air, there is little to see and even less to do. However, on a train, conversations happen and one experiences the solid land between here and there. Periodically, the train stops and one walks along the platform breathing the night air of a strange, and otherwise unvisited, city.

In Omaha, the train platform is old, dingy and dim, but in Nebraska’s capital, Lincoln, the platform stands outside a modern and friendly looking station. Just before dawn, the train arrived in Denver. It stopped several blocks from historic Union Station. When renovation completes in 2014, Union Station will serve as a regional transportation hub. However, for now a detoured stop is used.

Killing with the Edge of the Moon

Killing with the Edge of the Moon
A. A. Attanasio
Fiction 160 pages
Prime Books. 2006

Would you go all the way to Hell just to get a date? Chet does, but not entirely willingly. He makes the trip partly due to a very convincing witch, but also because he has a crush on Flannery.

Long ago, Orpheus made a similar trip. However, when he tried it, things didn’t work out so well. Of course, the Otherworld isn’t exactly Hell, and Flannery, unlike Orpheus’s wife, Eurydice, isn’t exactly dead. But, the situation is similar, and if Chet isn’t able to work the Fetch, Flannery will be both dead and dragon food.

While Flannery dances with fairies in the Otherworld, her body lies in a hospital bed connected to life support equipment. For Flannery, the Otherworld is far more joyful than the one she has known all her life. But Arden, the fairy prince, hasn’t told her everything, and Flannery doesn’t know how much danger she’s in. Even if her witch grandmother, Nedra, is able to convince Chet to work the Fetch, Flannery and Chet will face great danger before their story is done.

The Orpheus myth is a prime example of what Joseph Campbell calls the hero’s journey. Chet’s hero journey is faithful to the mythic archetype, yet modern and unpredictable. Filled with reversals and surprises, Attanasio’s story pits the uncertainty of contemporary adolescence against the ageless themes of Celtic myth.

After Dancing Long and Well, It’s Time to Pay the Piper

It’s absurd to maintain tax cuts for the wealthy when the country faces massive debt and many of its citizens are unemployed. By now, most of us realize that prosperity does not trickle down from the wealthy, and never did.

It’s argued, however, that increasing taxes for the wealthiest citizens may result in lost jobs. But it’s also argued that the resulting reduction in the federal deficit will more than compensate for those lost jobs. Further, it’s not certain that job losses will occur since businesses are running on minimal staffs already. After Clinton raised taxes, the economy thrived, so it’s entirely possible that the effect of tax increases for the wealthiest may have no, or only minimal, effect on job losses.

Alternatives that include reducing entitlement funding will also increase the hardships already faced by entitlement beneficiaries. As for cutting federal spending, we all know that Republicans never actually follow through with such reductions despite their talk. To do so would result in lost jobs for federal employees and for those who supply the government with goods and services. Clearly not an acceptable alternative.

During the Eisenhower years and beyond, affluent Americans paid much higher taxes than they do today. The country prospered and employment was strong. Currently the wealthiest citizens hold a greater percentage of America’s wealth then they ever held previously resulting in record levels of income inequality. Yet does all this capital in so few hands result in economic growth? Not at all. In order to bring economic growth, capital needs to be moving, not sitting stagnantly in the hands of the elite. The United States does not have a royal class, yet the desire to worship royalty remains present in those who seek to protect it from imaginary threats.

Keelung Indigenous Cultural Hall

Taiwan’s indigenous people are the descendents of early residents of Fukien China who crossed the Taiwan Strait six thousand years ago. The Keelung Indigenous Cultural Hall is a modest, yet cheerfully sunlit building located near the bridge to Heping Dao (Peace Island).

 

The museum displays examples of aboriginal buildings, clothing, art and artifacts. The top floor leads out on to a plaza featuring additional carved artwork, a suspension bridge, paths, and a fine view of the Pacific Ocean.

Nowhere to Hide

Once again Israel and Palestine are going at each other, and as usual, the Palestinians are getting the worst of it. Benjamin Netanyahu says that the reason so many Palestinians get killed is because Hamas “hides behind civilians.” Consider the population to the Gaza Strip: There are 9,713 people per square mile living there. Compare that to the 809 people per square mile living in Israel, the 650 in the United Kingdom, the 365 in China, or the 84 in the United States.

Is it really fair to say that Hamas hides behind its civilians in an area so crowded that there’s nowhere else to hide? For years Israel has managed to portray itself as the plucky underdog fighting for survival while surrounded by enemies. There’s some truth in that, yet Israel has been far too aggressive, far too often, and now the story is beginning to wear a bit thin. Lately it looks more like a bully than an underdog.

Neither nation is entitled to claim righteousness, high-mindedness, or innocence. However, Israel is the stronger of the two nations, and as such, she should be the first to make concessions. If Israel doesn’t modify her belligerent stance, her naked aggression will be exposed, world opinion will change, and she’ll find herself with nowhere to hide.

Is science fiction a dead genre, or is it merely un-dead?

As a science fiction fan, I follow several sites that post about eBooks. Of late, I see many new titles about werewolves, vampires and zombies. Such creatures are fine when they keep to their proper genre, but when they masquerade as science fiction I get irritated.

I like the end of the world as well as anyone, but does it always have to be the same zombie stuffed, vampire ridden post-apocalyptic world? Why can’t you authors write stories like those in Jack Vance’s “Dying Earth”? Vance mixes crumbling technology and magic without resorting to un-dead or dog-eared characters. Why can’t you guys?

Occasionally one of you gets a vampire right, but werewolves? Come on. And, zombies—plah-eze—they are so implausible. I mean, can a walking sack of rotting flesh get readers to suspend disbelief? Let’s try something new, something with at least a trace of science in it, not another werewolf story. Is the world going to the dogs, or what? 

The Rock

Peter Blume’s painting, “The Rock” is one of my favorites at The Art Institute of Chicago. Some have concluded that this painting symbolizes hopeful renewal in a postwar or post-apocalyptic world. At first glance, this makes sense; however, I viewed this painting recently and came to darker conclusions.

 That destruction has occurred and renewal is occurring is clear from the ruined building on the right and the construction on the left. The trees in the background possibly lack leaves because of the season, but the shirtless workers in the foreground suggest warmer weather. I think the forest experienced a recent fire, perhaps the same fire that destroyed the building on the right.

Though the painting’s right and left sides create its general theme, what is occurring in its middle is less clear. The woman on the left side of the rock is reverently patting the soil beneath the rock in an attempt to stabilize its foundation. The man on its right could be working to restore the rock’s foundation, but he could also be destroying it. The workers supplying shaped stones for the construction on the painting’s left side suggest that the man with the shovel is removing the soil and stone which support the rock.

What about the rock itself? Does it actually represent hopefulness, or does it represent decay and futility instead? Only one figure in the painting is capable of giving birth, and this woman seems determined to preserve the rock’s foundation. There’s an animal skeleton directly above her, a symbol of death and decay. The grass next to the rock is dried and dying and the roots beneath it are dead and detached. Even the red blooms are not those of flowers, but of fungus, a plant which thrives on decay.

The woman’s efforts to keep the rock from falling are futile — the rock is already dead. A closer look reveals that it is not formed from enduring material such as marble or granite, but of decaying organic matter. For the rock is a watermelon, split, overripe and rotting. There’s no future here. Ultimately civilization cannot be rebuilt. It is destined to crumble and rot.

 Click to see Peter Blume’s, "The Rock".

Is all the talk about climate change just a lot of hot air?

Some will say that Hurricane Sandy turning Manhattan into a swimming pool is further proof of global warming and climate change. Others are doubtful. Mainstream thinking is that climate varies from decade to decade and true change occurs over centuries. Critics are correct to assume that no single storm—not even a superstorm—proves climate change. However, a cluster of extreme weather events occurring in a short period time, does suggest a pattern.

According to the World Meteorological Organization (WMO), climate change accelerated during the last ten years, and extreme weather events, including drought, floods, heat waves and dangerous storms, greatly increased during the decade spanning 2001 to 2010—a decade that was the warmest since measurement began in 1850 (See article).

Is it merely a coincidence that this century’s first decade is the warmest on record? There’s good reason to think so, and many do. After all, we’ve only been keeping records since 1850. Yet, the WMO, an agency of the United Nations, which represents 183 countries, believes otherwise. WMO Secretary-General Michel Jarraud claims, “… climate change is happening now and is not some distant future threat.” A more conventional view is that climate change occurs over centuries and our recent warmer weather is merely coincidental. Rather than get excited about a warm decade that could be a statistical fluke, why not wait another 50 or 100 years until there’s more proof?

Why not? Because if we wait it may be too late. But, if we act now, we have nothing to lose. Am I saying we should invest millions of dollars in technology that may be unnecessary? That’s exactly what I’m saying. Eventually oil based energy will either run out or become so expensive that few can afford it. So, why not invest in renewable energy and cleaner burning fuels? Even if you think vehicle exhaust fumes aren’t a health hazard, you still don’t stand around traffic islands during rush hour if you can help it. So, why not promote technologies that will create cleaner air?

Some resist making expensive investments in unproven technologies without the certainty that we’re addressing a real problem. But, the investment is worthwhile even if the problem is imaginary. We no longer have a significant presence in space, yet the space program gave rise to important technologies that wouldn’t exist otherwise. Similarly, any investment aimed at developing clean burning, renewable energy is money well spent. Having air and water that are cleaner is worthwhile if only for the sake of our comfort, if not for the sake of our health.

Investments in new technology will pay dividends even if their aim is to solve imaginary problems. If we do not build those technologies, someone else will. Critics argue the administration wasted stimulus money on green energy companies like Solyndra, that failed to become commercially viable. They fail to acknowledge that Solyndra wasn’t competitive because the Chinese government subsidized its manufacturers. The facts don’t prove that green energy isn’t useful. They only prove that the Chinese are more interested in green energy than we are. If we don’t get interested soon, Chinese investments will reap economic advantages while our economy declines due to our failure to advance our technology.

Finally, if there is some truth to the argument, even a little truth, and we take action to reverse climate change, we can prevent human suffering by reducing the frequency, or severity, of forest fires, floods, tornadoes, and glacial and polar melting caused by climate change.

Understand digital prepress

Real World Print Production with Adobe Creative Suite Applications

Claudia McCue
Nonfiction 352 pages
Peachpit Press. 2009

When there’s a lot at stake and it’s got to be right, a little know-how goes a long way. I wrote “Graphics Essentials for Small Offices” to help beginners learn the basics of design. Claudia McCue takes the process much further. The digital revolution has simplified designers’ prepress tasks in many ways, but there are still numerous gotchas that they need to be aware of. Too many books treat the graphics applications they discuss as if their solutions can be poured, like breakfast cereal, straight from the box. McCue knows better. She knows the pre-digital history of graphics, the challenges designers used to face preparing work for print, and the challenges that remain. This book provides the knowledge that designers need to guide their work process toward problem free print outcomes. This book covers a lot, but it really excels in providing the kind of knowledge designers get on the job rather than in art school.

He read it all and lived to tell about it

The Arabian Nights : Acompanion

Robert Irwin
Nonfiction 342 pages
Tauris Parke Paperbacks. 2004

Henry Reeve discussed the translations of the Arabian Nights available during his time, saying, “Galland is for the nursery, Lane is for the library, Payne for the study and Burton for the sewers.” Burton’s version of the Arabian Nights is full of archaic language, gratuitous vulgarity, and racism. It is also the most readily available complete translation, and the one you may have to read if you want to become thoroughly acquainted with this story collection.

During the time Burton was translating it, a Middle Eastern superstition claimed that no one could read the entire Arabian Nights without dying. Author, Robert Irwin, writes that he read the entire Burton translation without dying, but not without pondering suicide as an alternative to slogging through it. Fortunately, if you wish to be better acquainted with the Arabian Nights, you can read Irwin’s Companion instead.

Irwin explores the Arabian Nights from a variety of perspectives as evident in his chapter titles, including, “Street Entertainments”, “Low Life”, and “Sexual Fictions”. Of particular interest is Irwin’s discussion of how stories mutate, merge, migrate, and reappear elsewhere. For example, a short story about partners plotting to kill each other is the plot of “The Pardoner’s Tale” in The Canterbury Tales. Later it’s a movie plot in The Treasure of Sierra Madre. Other versions of a story from the Arabian Nights, “The Tale of the Woman who Wanted to Deceive her Husband” also appears in Sanskrit in the 11th century, Latin in the 12th, and in the 14th both Persian and Italian in Bocccaccio’s Decameron. In the 20th century, Thomas Mann reused the plot once again in his Dr. Faustus.     

Besides Mann, other modern authors have found inspiration in the Arabian Nights, including James Joyce, Marcel Proust, Jorge Luis Borges, John Barth and Salman Rushdie.

Irwin’s The Arabian Nights : A companion offers an expansive and thoroughgoing look at this great work. There is little that he doesn’t touch upon. If you don’t want to risk death by reading the entire Arabian Nights, then read Irwin instead.

Something to rave about

World Wide Rave : creating triggers that get millions of people to spread your ideas and share your stories
David Meerman Scott
Nonfiction 194 pages
John Wiley & Sons, Inc.  2009

The main theme of this book is that older advertising methods have gone stale and that the best way to get people talking about your product is to provide them with information that’s useful to them. Simply telling people how good your product is won’t work — they don’t care about your product  —  they only care about their needs. If you satisfy their needs, with information that is useful, novel, or humorous, then they will respond to, and spread, your message. When enough people spread your message, you’ve started a “world wide rave.”

The author calls his style of marketing a “world wide rave” in part because he wants to avoid the “sleazy connotations” of the ubiquitous term “viral marketing.” He believes that communication should be genuine and not generated by anonymous paid promoters disguised as objective reviewers.

“Viral marketing” refers to making your message infectious so that it spreads far and rapidly. Your information stands a better chance of being raved about when it is useful, novel, or humorous. The message should have a short, catchy title to engage viewer attention.

Sharing is a major key to starting a rave. Scott contrasts old-school marketers who lose sales by over-defending their copyrights with those who generate buzz by passing out goodies. More than one band has built its audience by giving music away while asking nothing in return. Many companies who offer eBooks and other information packages ask viewers to provide their email addresses. Scott claims that the practice of asking viewers to fill out forms discourages them from continuing to the downloading stage. He believes that better results are gained from offers with no strings attached.

Scott claims that anyone can start a rave and cites several examples of non-professionals who have done so. However, most of his example rave starters are large corporations. Scott provides no instructions for starting raves. There is no sure-fire method for getting a rave going — it’s a matter of trial and error — perhaps not the sort of basket to put all your eggs in.  

The Arabian Nights – Gathered, Privately Printed, and Out of Print

While not all of us are familiar with the titles, “The Arabian Nights’ Entertainment” or “One Thousand and One Nights”, most of us have heard the story, “Aladdin's Wonderful Lamp”, and several others associated with the story collection informally known as the Arabian Nights.

Some of the collected stories are quite ancient and of Indian origin. Others relate the fictitious doings of actual historical figures from 9th century Baghdad. Still other stories contain historical fragments from 13th and 14th century Cairo.

Some of the most well-known Arabian Nights stories were not actually part of those stories collected in Arabic versions of the text. These additional Middle-Eastern stories included “Aladdin's Wonderful Lamp”, “Ali Baba and the Forty Thieves”, “Prince Ahmed and his Two Sisters”, and “The Seven Voyages of Sinbad the Sailor”. They were added by French translator, Antoine Galland, and his successors.

After Galland released his 12 volume edition of the Arabian Nights, scholars began to seek the most authentic version of the text. The lengthy Egyptian version came to be considered the standard one. One of the earliest English translations by Edward Lane was heavily censored.

Although Richard Francis Burton’s translation is the most well-known uncensored version, it was preceded by John Payne’s version. Both Payne’s and Burton’s uncensored editions were printed for private subscribers, rather than the general public. Although Burton’s edition is the best known, it has been criticized for dwelling excessively on sexual matters and for its archaic language.

Most available printed editions of the Arabian Nights are abridged, intended for children, or both. A printed set of Burton’s volumes would cost you dearly, if you could find one. Luckily it is available for Kindle and other eReaders. One reviewer of the Halcyon Classics edition sold by Amazon faults it for not having working hyperlinks between the table of contents and the stories. For a broad selection of translators, this omnibus looks like a good choice. 

Demons Hide Their Faces

Demons Hide Their Faces

A. A. Attanasio

Fiction 183 pages (Kindle)

2011

This collection of short fiction for Kindle contains seven stories which appeared in print in “Twice Dead Things”. As a shorter collection, “Demon’s Hide their Faces” provides a good introduction to A. A. Attanasio for those not yet familiar with his writing.

In general, Attanasio writes science fiction and fantasy — but not always — and both can be found in this volume. Two of the stories, however, don’t strictly meet my criteria for either genre. I consider “Death’s Head Moon”, like Attanasio’s novel, “Kingdom of the Grail”, to be historical fiction, albeit tinged with the fantastic and mythical. Attanasio’s character, Richard Malone, is plunged into ancient Irish myth while fighting alongside Seamus Doyle during the First World War. When the war ends, he carries his ghosts and a volume of Nietzsche, through a rough and tumble life until a hobo translates a few words of the book he carries.

Malone’s life takes several more turns and he ends up in Hawaii. Here too, he encounters the mythical, only now it wears new masks. What begins as a war story ends as a detective story and in a surprise. There is no escaping the Death’s Head Moon.

My favorite story, “Ink from the New Moon,” takes place in an alternate history in which Chinese, rather than Europeans, were the first to settle the U.S.A. In this alternate history, Attanasio is able to bring a westerner’s interpretation to Buddhist concepts while preserving the story’s Chinese sensibility. This melancholy story of love and loss opens the collection and primes the reader for the stories that follow — stories that engage both emotionally and philosophically.

An eSolution for Book Sellers

I recently attended a writer’s summit where several authors predicted that physical bookstores would soon face extinction. Some also predicted that eBooks would soon replace printed books. I am more doubtful about the second prediction than I am about the first, however eBooks are gaining momentum, and unless brick and mortar book stores have an easy way to sell them, their business will surely suffer.

Why should it matter? If eBooks are quickly and cheaply obtainable online, then who cares if book stores go the way of the dinosaurs? Well, some people do care. People are already complaining about having to read some of their books on a Kindle and others on a Nook. Additionally, if several large vendors dominate the market, consumers will have less influence on prices, and possibly fewer choices of reading matter.

Book stores serve social purposes. They provide places for authors to meet their readers and autograph their books (eAutographs?). They also provide meeting places for book clubs, and their well-read personnel help readers make informed purchasing decisions.

But there is a simple solution. If eBook publishers agreed to adopt a standard file format, and if an eBook licensing clearinghouse were created, then readers would be able to buy eBooks published by Amazon for their Nooks. Independent book sellers would be able to provide eBooks for every variety of eReader. Libraries and individuals could easily lend their books, and free markets would thrive.

The alternative future, in which a few large corporations control access to books, is not an option. Taken to extremes, a literary dark age would result. An impartial clearinghouse would assure that information remain broadly accessible, and a standard eBook format, like feet and meters, miles and kilometers, would assure a level playing field.

The Drunk Diet - Change your life without losing your style

The Drunk Diet
Lüc Carl
Nonfiction/Memoir 272 pages
St. Martin's Press, 2012

Lüc Carl wanted to lose his spare tire without compromising on his lifestyle. And so The Drunk Diet was born. Since other diets advised cutting out booze Carl developed a plan of his own – he began exercising and eating healthier foods while continuing to drink.

If the premise seems too good to be true, take heed of the disclaimer in the front of the book. Carl says that his title is intentionally flippant and that he does not advise ignoring physician’s advice, exercising while drunk, or being alcoholic. About half-way through the book, the reader learns that Carl cut way back on his beer consumption. Toward the end it’s revealed that Carl is drinking a lot less now and sometimes abstains entirely. He also reveals that of his original group of friends, only he learned to control his drinking. The others either sobered up or sank down into addiction.

If Carl’s memoir sets an example to follow, its example is an unusual one. Many people lose the ability to drink responsibly after a long stretch of time spent drinking heavily. So if you’re a borderline alcoholic, Carl’s diet may help you lose weight, but leave you with other problems.

That said, losing weight, quitting smoking, and learning to exercise vigorously all require discipline to achieve. Carl describes how he went from contemplating weight loss to making an active, and creative, effort to achieve his goal. Along the way his attitudes and behavior changed as he neared his goal. And discipline isn’t something that can be applied for a while and then forgotten. Carl continues to use self-discipline to maintain his achievements.

The book is easy to read and some will find it inspirational, however it glorifies the inglorious. The flaw in Carl’s approach is that it fails to critically examine Carl’s former lifestyle. Although Carl drinks less now, his initial goal was to lose the extra weight caused by drinking too much and eating badly. He attacks the lifestyle’s results, but not the lifestyle itself. He comes down on the Man for pushing drugs and states that “doctors are street-level dealers,” while sparing fellow bartenders, omitting the fact that if the Man pushes pharmaceuticals, He also pushes liquor.